Legal, Extralegal, I am Somehow

Arts of the Working Class is a multilingual publishing program at the intersection of art, society, poverty and wealth. Sold on the streets, vendors keep 100% of the revenues.

The Languages We Don’t Yet Have

Havîn Al-Sîndy, Céline Semaan, and Payam Sharifi in conversation with Hanno Hauenstein on translation, embodied memory, and the power to name experience.

The Languages We Don’t Yet Have
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The Languages We Don’t Yet Have

The Languages We Don’t Yet Have

Havîn Al-Sîndy, Céline Semaan, and Payam Sharifi in conversation with Hanno Hauenstein on translation, embodied memory, and the power to name experience.

Racist by Design

Racist by Design

Institutions present themselves as neutral. Will Fredo Furtado's book proposal aim to show how they harm racialized people by design.

Image Politics of Touching, Observing, and Recording

Image Politics of Touching, Observing, and Recording

A dialogue on positionality, embodied technology, and reparative storytelling in the frame of the exhibition "Synthesizing Realities" at ifa-Galerie Stuttgart.

The Syntax is More Important than the Vocabulary

The Syntax is More Important than the Vocabulary

During the Barcelona Gallery Weekend, looking at art becomes an open negotiation of who is seen, what gets saved, and how much it costs to belong to the scene.

Who Builds the Cultural Infrastructures of the Future?

Who Builds the Cultural Infrastructures of the Future?

On Berlin’s independent spaces, collective labor, and the conditions that allow culture to endure.

A Library Like a Living Room

A Library Like a Living Room

Ahead of Untold Stories, Lilipad’s first festival in Berlin, Sara Arslane discusses multilingual children’s books, the power of images and music, and children’s right to tell their own stories.

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